Une ancienne carte unique représentant la Terre vue de l’espace restaurée numériquement

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En 1587, Urbano Monte (1544-1613), un cartographe méconnu, a créé une étonnante carte dessinée à la main de 3 mètres sur 3 mètres.

Non seulement la carte dépeint la Terre vue de l’espace, en regardant directement vers le pôle Nord, mais elle est aussi remplie d’images incroyables de lieux étrangers et de créatures mythologiques étonnantes, comme par exemple des licornes de Sibérie, des hommes attaquant les navires et des oiseaux géants terrifiants.

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carte unique

Crédit : David Rumsey

Les créatures mythologiques étonnantes ont toujours fasciné les gens et nous avons maintenant la chance de les voir à travers les yeux de nos ancêtres.

Cet atlas du monde unique a été restauré et assemblé numériquement. Le cartographe Monte, qui s’intéressait beaucoup à la géographie, venait d’une famille aisée de Milan, en Italie.

En 1585, il a rencontré une délégation japonaise et les scientifiques pensent que la carte qu’il a créée est le résultat de sa rencontre et des histoires qu’il a entendu parler au sujet du Japon. L’atlas mondial contient de nombreux noms au Japon, qui n’apparaissent pas sur les autres cartes occidentales créées à l’époque.

image: https://www.anguillesousroche.com/wp-content/uploads/2017/12/montesmap3.jpg

carte unique

Crédit : David Rumsey

Le collectionneur David Rumsey a acheté l’atlas antique et en a fait don au David Rumsey Map Center de l’université Stanford, qu’il a fondé en 2016.

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carte unique

Crédit : David Rumsey

La carte de Monte n’a jamais été correctement étudiée parce qu’elle est cachée depuis des siècles.

Monte a créé sa carte 18 ans après Gérard Mercator, le cartographe le plus connu de tous les temps a créé la carte qui est utilisée aujourd’hui dans la plupart des salles de classe et les applications smartphone.

image: https://www.anguillesousroche.com/wp-content/uploads/2017/12/montesmap4.jpg

carte unique

Crédit : David Rumsey

La grande contribution de Mercator à la cartographie réside dans le fait qu’il a changé sa nature à l’aide de ses perfectionnements artistiques et modifié à jamais la navigation océanique avec sa méthode de projection, qui a été l’invention la plus influente de la première cartographie.

D’autre part Monte voulait montrer la nature circulaire de la Terre. Selon Rumsey, le travail de Monte est beaucoup plus qu’une simple carte. C’est tout un instrument scientifique.

La carte de Monte a été restaurée numériquement et vous pouvez voir toutes les fiches individuelles ici.


Read more at https://www.anguillesousroche.com/histoire/ancienne-carte-unique-representant-terre-vue-de-lespace-restauree-numeriquement/#1L04FqAlJT75sV2W.99

https://www.davidrumsey.com/blog/2017/11/26/largest-early-world-map-monte-s-10-ft-planisphere-of-1587

Largest Early World Map - Monte's 10 ft. Planisphere of 1587

An extraordinary 60 sheet manuscript world map made in 1587 by Urbano Monte has been added to the David Rumsey Map Collection at Stanford University. At 10 foot square, this map or planisphere is the largest known early map of the world. It was hand drawn by Monte in Milan, Italy, and only one other manuscript copy exists. The digitally joined 60 sheet map image below is the first time the map Monte made has been seen as one unified map - as Monte intended - in the 430 years since it was created. See all the individual sheets here.

Monte's map reminds us of why historical maps are so important as primary resources: the north polar azimuthal projection of his planisphere uses the advanced scientific ideas of his time; the artistry in drawing and decorating the map embodies design at the highest level; and the view of the world then gives us a deep historical resource with the listing of places, the shape of spaces, and the commentary interwoven into the map. Science, art, and history all in one document. Until now, Monte’s manuscript map was seen as a series of 60 individual sheets. The only assembled version is the small single page key sheet of the series. Now that we have joined all 60 sheets digitally (accomplished with great skill by Brandon Rumsey), we can appreciate in a new way the extraordinary accomplishment that Monte made. The assembled map, just over 10 feet in diameter, is one of the largest—if not the largest—world maps made in the 16th century. The degree of detail and decoration is stunning and the entire production is surely unique in the history of cartographic representation.

Monte made his map to serve not only as a geographical tool but also to show climate, customs, length of day, distances within regions - in other words, to create a universal scientific planisphere. In his dedication on Tavola XL he specifies how to arrange the sheets of the planisphere and makes it explicit that the whole map was to be stuck on a wooden panel 5 and a half brachia square (about ten feet) so that it could be revolved around a central pivot or pin through the north pole. This was never done, but now we can do it virtually - Monte's 60 sheet world map digitally assembled into a 10 foot planisphere:

The 10 Foot Diameter Planisphere Digitally Assembled from Monte's 60 Sheet Gores with Additional Sheets for the Corners

Click Here to Open a Window that Allows 90 degree Rotation of Monte's Planisphere - see Rotation icon in Upper Left Corner


Detail of Tavola XIIII and Tavola XV Joined (Central Africa) 


Tavola Prima (Northern Europe)


Monte's depiction of Japan is advanced for the time, probably drawing on information provided to him by the Japanese Embassy to Milan and Italy in 1585.

Detail of Tavola Nona (Japan)


Tavola XI (Eastern United States, Florida, Cuba)


Details of Tavola Seconda, Tavola Ottava, and Tavola Setima (Northern Siberia, Central Asia)


Tavola XXXX (Southern Argentina, Southern Chile)


Detail of Tavola XXIII (South America, Venezuela, Guyana)


Tavola XXXXII (Antarctica, Map Dedication, Urbano Monte Portrait)

In 1589, two years after the map was completed but perhaps still being revised, Monte updated his portrait at age 43 with a new circular image pasted on top of the earlier one, now showing his age to be 45. The new portrait is hinged and can be lifted up as illustrated below. 

Detail of Tavola XXXXII (Antarctica, Urbano Monte Portraits of 1587 and 1589)


Tavola LV (Antarctica, Portrait of Montezuma)


Details of Portraits from 12 Tavolas


Diagram showing the Length of Days and Nights During the Different Months of the Year (Not placed on the composite map)


Detail of Tavola XXIIII (Coast of Brazil, Portrait of King Philip II of Spain)


Eclisse del sole (Eclipse of the Sun)


Detail Tavola XXV (Coat of Arms of Urbano Monte Family)

All 60 Sheets of Monte's Planisphere Plus the Key Sheet, Covers, Corner Diagrams, Additional Sheets, and Scale Sheet.

The 6 images below show how the 60 gore sheets and 4 corner sheets were progressively joined to create the final complete 10 foot planisphere. The 1st ring of 4 sheets was joined (making sheets 1-4), then the 1st ring was added to the 2nd ring of 8 sheets (making sheets 1-12), then the 1st and 2nd rings were added to the 3rd ring of 12 sheets (making sheets 1-24), then the 1st, 2nd, and 3rd rings were added to the 4th ring of 18 sheets (making sheets 1-42), then the 1st through 4th rings were added to the 5th ring of 18 sheets (making sheets 1-60), and finally those 5 rings were added to the 4 corner sheets and labels making the complete map.

Composite of Tavola 1-4. 1st Ring of Planisphere

Composite of Tavola 1-12. 1st and 2nd Rings of Planisphere

 

Composite of Tavola 1-24. 1st through 3rd Rings of Planisphere

Composite of Tavola 1-42. 1st through 4th Rings of Planisphere

 

Composite of Tavola 1-60. 1st through 5th Rings of Planisphere

Composite of Tavola 1-60 and the Plates for the 4 Corners

When we georeference Monte’s map and then re-project it into Mercator projection we immediately understand why he used the north polar projection instead of Mercator’s: Monte wanted to show the entire earth as close as possible to a three-dimensional sphere using a two-dimensional surface. His projection does just that, notwithstanding the distortions around the south pole. Those same distortions exist in the Mercator’s world map, and by their outsized prominence on Monte’s map they gave him a vast area to indulge in all the speculations about Antarctica that proliferated in geographical descriptions in the 16th century. While Mercator’s projection became standard in years to come due to its ability to accurately measure distance and bearing, Monte’s polar projection gave a better view of the relationships of the continents and oceans. In the 20th century air age, the polar projection returned as a favored way to show the earth. Monte would have been pleased to see a modern version of his map used in the official emblem of the United Nations. Below is Monte's map georeferenced and re-projected as Plate Caree or Geographic. In this form it can be placed in Google Earth.

Monte's Planisphere Georeferenced and Re-projected in Plate Caree or Geographic


Monte's Re-projected Planishere in Google Earth - Shown in Video

Click Here to Download KMZ File and Open in Google Earth - Requires Download of Google Earth Here


Read  PDF "A Mind at Work, Urbano Mont'es 60-Sheet Manuscript World Map." Forward by Barry Lawrence Ruderman, Introduction by David Rumsey, Essay by Dr. Katherine Parker

Monte's planisphere accompanies a multi volume geographical treatise on the world and cosmology. It is hoped that further research will better join the text in the treatise to the text and geographical descriptions on the map itself. It will be of great interest to discover the sources of Monte's geographical work and how he configured that information to create his own unique view of the world in his remarkable map